Meursault’s decision to kill the
Arab was a life changing experience for him that Meursault blames on the
physical discomfort he felt when he was approaching the Arab. However, it is
not until the Arab draws out a knife that “I could feel the cymbals of sunlight
crashing on my forehead” (Camus 59) which causes Meursault to react and shoot
the Arab. At first the reader is forced to believe that it was Meursault’s
reaction to the sunlight that caused him to kill the Arab; however, Meursault’s
reaction was done in self-defense and out of a fear for his life. Meursault’s
emotional reflexes caused Meursault to justify his action of murder by allowing
him to blame the sun for his actions even though he shot the Arab out of fear
for his life. The deepest insight and maybe the only time Meursault’s true
controller appears is right after he shoots the Arab four more times: “…it was
knocking four quick times on the door of unhappiness” (Camus 59). The fact that
Meursault does not think about how he feels physically or what his physical
reaction to shooting the Arab is, but instead thinks about how he has ruined
the happiness he had, epitomizes that Meursault is actually being guided by his
desire for happiness and emotions.
Wednesday, April 25, 2012
Tuesday, April 24, 2012
Blog 55 Camus Essay
While “The Stranger” refers to how
the reader perceives Meursault, it also represents how Meursault views himself,
as a stranger. Unlike the reader however, Meursault begins to discover himself
after the defining moment of his life when he kills the Arab. As Meursault
deals with the consequences of his actions, he goes through an enlightenment
where he discoveries what he believes is his true identity and true happiness. The
reader on the other hand is forced to except what Meursault believes because “The
Stranger” is an inside look at Meursault’s thoughts. Through this inside look
at Meursault’s brain, the reader interprets that all of Meursault’s actions are
done out of his physical needs; however, it seems to be that what is truly
taking place is that Meursault is being guided by his emotions but can only
understand and process his physical emotions. Like Joffrey in “Game Of Thrones”
Meursault is truly guided by his impulses. Whenever either character gets an
impulse, each one seems to simply carry out that impulse without thinking about
the consequences, however, in both cases it seems that it is first an emotional
situation that drives a physical need to act. While Meursault may argue that he
makes his decisions based on his physical needs, what Meursault fails to realize
and interpret is that it is his emotional needs that are the ones guiding his
actions and sending him instructions that Meursault translates as physical
needs.
Friday, April 13, 2012
Blog 54, Consequences
In my essay I will analyze the beach seen in which Meursault
kills the Arab. I will discuss how Meursault’s actions are actually guided by
his feeling in that moment even though Meursault argues that he only does
things because he physically wants to. Ill use Freud and other psychologists in
order to dive into the mind of Meursault and see why he made the decision to
kill the Arab and shoot him multiple times.
Wednesday, April 11, 2012
blog 53
In Lauren’s photo, there are two white washed windows and a
man standing in a silhouette standing at a kitchen counter top. The man seems to
be deep in thought because seems to be griping the countertop extremely hard signifying
that he is not 100% present in the moment but instead is in the spiritual world
thinking about something. Further more because the viewer cannot see out the
window since the light shining in is very strong, instead the viewer is forced
to think of their own scenario and decide his or herself what the man is
thinking about. Lastly in my mind the white windows represent an explosions and
this is the moment before the subjects death where he is frozen in time just
watching the light come for him.
Tuesday, April 10, 2012
Blog 52: Romania 1975
There are two lovers sitting on a train or a bus. The woman
is leaning on the man who is sitting next to her and both are asleep. The ring
on the man’s finger suggests that he is married or will be married. The woman
seems to trying to sleep because she is touching her eye but the man is fast asleep.
The man is head locking the girl who is laying on his lap but in a protective
way not one of danger.
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